"

I.
“Peace,” says the soprano,
retired to the sea, “is this tide
licking the stilts of my house.”
Her toe strokes the rug,
she flicks an ash, goes early
to bed with a glass of gin.

In her closet, a red cloak
keeps Aida’s sweat from 1963.
Mornings, she strolls the winter
beach, white hair touching
scarlet shoulders. O terra, addio.

II.
The Chinese masseuse leans
her palms on a sill above
Main Street, hears the howl
of the Burlington Northern
Santa Fe. Grandmother bent
to pick rice in Yunan Province.
What are these empty streets,
fields of alien corn?

She starts the tape of reed-
flute melodies, attends the next
body’s tides, same West
or East, home or away, thin
or fat with strange food.
Always currents to listen to.

III.
The girl kept goldfish in a bowl,
a snail to clean their leavings.
When the bright fish died,
she watched him climb the glass,
feelers quaking. He pursued
the algae, blazing a trail, his
toothed tongue scraping.

The panes turned opaque.
Sometimes a ray pierced his
mossy domain. Did he feel
her presence when she tapped?

"

— “Ars Poetica” by Natania Rosenfeld

“Unlikely Materials” by Dean Young
“Quicken” by Jacquelyn Pope
from Makakovsky’s Revolver, W.W. Norton
more about Matthew Dickman
“What’s Next” - Frederick Seidel

You are beautiful
But you are also heartbreak 
Locked forever frozen in time 
A cry I cannot get out 
No matter how much I grease myself 
With honey 
Pink palette of grapefruit, the book on the shoulder 
Of the room, the rose gardens 
But I do not want you to be so 
I want to be spilling forth with the acid yellow honey of the bees 
O love, take me thusforth 
Into your secret places 
I will never travel 
I will never wake 
You are more than heartbreak 
In your fanciful suits and closing sighs 
You are more than the shining blue room 
On the afternoon of the date, the cold bite 
You are the hot breath too I take myself into 
The hot red fruit I take myself into 
The living breathing thing I take in, I want to 
Be a watery nymph in a wooded grove 
With you 
I want to be a cloud so full of honey 
That there is nothing left of me 
Until I throw myself into the fire 
And am contained forever 
I will be contained forever, a thing of beauty 
Forever 
I will be that thing forever 
I don’t want to be beautiful with you 
I want to be an ugly, wretched, bleeding thing 
Pouring out on the windmills 
I want to be the locked tiger they can’t lock up 
Until it murders and then rages through the fields 
Of wild grasses 
I want to be so wild they can’t lock me up 
Put fences around me to pen me in 
I will be so full of fire that they won’t be able to extinguish me 
Before the beauty comes I want to be so full of fire 
That they can’t tell me from you, my wretched angel 
Sweet animal, they locked us in this life 
But I think we still have time before we have to get out of it

by Dorothea Lasky 

“Dhaka Dust” by Dilruba Ahmed, Graywolf Press